Blanco Art Collection

Francisco Mora

Estudiantes con Proteccion by Francisco MoraMedia: Linoleum Cuts

Francisco Mora

was born May 7, 1922 in Uruapan, Michoacán. He lived in Cuernavaca, Morelos.

From 1936 to 1939, he studied agriculture at La Huerta Agriculture Community College, in Morelia, Michoacán. In 1939 he painted a portrait of the Governor of the State, which enabled him to obtain a scholarship to study art in Morelia’s Art School. Between 1941 and 1944 he studied at The Esmeralda Academy, in Mexico City, while making a living painting houses and held other odd jobs that required his painting talents.

He joined Taller de Grafica Popular in 1941. During 1946 he sketched miners from Pachuca, Hidalgo for the Association of American Artists. That same year he married Elizabeth Catlett.

From 1949 on he was a professor of art in the daytime, and of continuous adult education in the evenings. He made a great number of engravings for the Journal of the Teachers Association, and magazine “El Maestro Mexicano” (The Mexican Professor). He also made a series linoleum engraving about “Los hombres de la Reforma” (The Reformist Men). In 1950 he painted a mural for the building of the daily “Sol de Toluca”.

He was Mexico’s representative to the 1960 Pedagogy World Congress, in Conakry, Guinea and traveled extensible in East and West Europe. In 1964 he had a solo Abstract Art Exhibit in National Palace of Fine Arts in Mexico City.

In 1965 he resigned the TGP.

May 1, 2008

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Jesús Álvarez Amaya

18 de MarzoMedia: Linoleum Cut meant as a Poster
Themes: The Social and Political Awareness

Jesús Álvarez Amaya, painter, engraver and muralist, was born in Mexico City on November 19, 1925. He died on June 10, 2010.

In 1942 he attended the Art School for Workers Number 1. He studied under Ramon Alva de la Canal. He was an asssistant to Diego Rivera in the mural for Teatro Insurgentes, in Mexico City. In 1948 he had his first own personal exposition. From 1952 on, he has painted several murals.

In 1956 he joined Taller de Grafica Popular. Since 1967 he is its General Coordinator. In 1965 he was a TGP delegate to the Peace Congress in Helsinki.

During the 1968 students’ demonstrations in Mexico City, Álvarez Amaya made a lithography of Che Guevara. It was very well received by the students, who used it as a poster in their protests.


He also made a lithography of president Allende, at the time he died. It was later used as an homage to the Memory of Salvador Allende
and one of Emiliano Zapata titled: “La Tierra” / “The Land” :

Jesus Alvarez Amaya


Jesús Álvarez Amaya

Tecnica: Linoleo

Themes: Conciencia Socio Politica

Nacio el 19 de Noviembre de 1925 en la Ciudad de Mexico. Fallecio el 10 de Junio del 2010.En 1942 inicio sus estudios en la Escuela de Arte para Trabajadores #1. Fue disipulo de Ramon alva de la Canal. Trabajo como ayudante de Diego Rivera en el mural del Teatro Insurgentes, en la ciudad de Mexico. En 1948 tuvo su primera exposicion individual.

En 1956 ingreso al Taller de Grafica Popular, donde a  partir de 1967 funge como coordinador general hasta que fallece. En 1965 fue delegado del TGP al Congreso de Paz en Helsinki.

Durante el Movimiento Estudiantil de 1968, hizo una litografia del Che Guevara, muy bien recibida por los estudiantes quienes la usaron como plancarta en el Movimiento.

El tambien hizo una litografia del Presidente Allende al tiempo de su muerte, la cual ha servido como un homenaje a su memoria, y una de Emiliano Zapata bajo el titulo de “La Tierra” que pueden ver en la imagen:


Jesus Alvarez Amaya

April 20, 2008

Alberto Beltrán

Juarez Elaborando Puros by BeltranMedia: Linoleum Cut
Themes: The Social and Political Awareness

Alberto Beltrán was born in Mexico City in March 22, 1923. where he lived.

In 1934 he became an apprentice, in his father’s taylor shop. He attended night the commercial graphics school at San Carlos Academy . Later, he took courses at La Academia de Gráfica Libre under the guidance of Carlos Alvarado Lang.

He joined Taller de Gráfica Popular in 1944. His productions of a great amount of flyers were published in workers unions’ publications, journals and booklets for the alphabetization campaigns and missions organized by the Institute of Indigenous People.

From 1948 on he took responsibilities in several positions of leading committees in the the TGP.
In 1953 he became a founding member of the Mexican Fine Arts’ Institute. In 1967 he also became a Founder Member of the Mexican Academy of Arts.

In 1956 he received the National Price from the National Institute for fine Arts (INBA), in Graphics, and two years later he won the first place in Graphics at the First Interamerican Biannual Contest in Mexico. In 1958 as President of TGP, he attended the Peace Congress in Stocolm Sweeden.

He has been editor at several liberal publications such as the “Ahi va el Golpe” (There Goes a Punch), el “Coyote Emplumado” (The feather Coyote). He has also been a member of the editoral council of the Mexican daily “El Dia”.

He also had been director of the art departament at the Universidad Veracruzana, in Jalapa, Veracruz. He has received many awards, and he has participated with his works in large number of Expositions.

He resigned the TGP in 1960.

Filed under: Alberto Beltrán — Tags: , , — webmaster @ 10:37 am

Ángel Bracho

was born in February 14, 1911 in Mexico City.

He worked as a blue collar worker. and at the same time took night classes at the San Carlos Academy in 1928. from the next year up to 1933, he took art courses on drawing and painting at the Universidad Nacional Autonoma de Mexico.

He was considered a founding member of the Taller de Grafica Popular. There he produced his first lithographies.

In the year of 1948 he also was founding member of the Society for the Enhancement of the Fine Arts. From 1952 to 53, he was its Director and later from 1961 to 63, he was its president.

He was awarded the Gold Medal in 1960 at the Biannual competition in Buenos Aires, Argentina. His production of murals and wood cuts and paintings was very substantial.

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Xavier Iñiguez

Manifestacion by Xavier IniguezMedia: Linoleum Cut
Themes: The Social and Political Awareness

Xavier Iñiguez was born in October 7, 1932 in Vista Hermosa, Michoacan. He died in 1979 in Mexico City.

In 1942 he studied architecture in Mexico city. In 1951 he was awarded a scholarship to study art at the Academy of Art. In 1952 another scholarship was awarded to him to study at the National stamp Press Shop by the Treasury Department.

In 1954 he assisted in a mural at the central electric producing company in Temescal, Oaxaca.

He was member of TGP from 1956 to 1959. During this period he produced a mural in a school in the State of San LuIs, Potosi the state where he was the head director of INBA (NATIONAL INSTITUE Of FINE ARTS).

From 1960 he taught as a professor at the Esmeralda Art school, and at the San carlos Academy of Art, the School of Art at the Universidad Autonoma de Mexico.

Filed under: Xavier Iñiguez — Tags: , , — webmaster @ 10:32 am

Fanny Rabel

Nino Indigena by Fanny RabelMedia: Wood Cuts
Themes: Mexicanidad

Fanny Rabel (also Rabinovich) was born August 27, 1922 in Poland. She lived in Mexico City.

In 1929 she initiated her education in France. She arrived in Mexico in 1938 and the following year she started taking night courses. She was a collaborator to David Alfaro Siqueiros in 1940. During the years from 1940 to 1945 she studied art in La Esmeralda, and from 1945 to 1948, at the School of Arts of the Book. She was also a collaborator to Diego Rivera in the Murals at Palacio Nacional in México City. In 1948 she was a founding member of the Society for the Improvement of the Fine Arts.

From 1949 to 1961 she was member of the TGP. In 1953 she was founding member of FNAP. En 1957 she painted the mural at the Israeli Sport Center. In 1959 she traveled to Europe and Israel. She also painted a mural at the National Anthropological Museum in Mexico City.







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Mariana Yampolsky

MadreMedia: Linoleum Cuts
Themes: Mexicanidad

Mariana Yampolsky was born in the United States and educated at the University of Chicago, and was absorbed by Mexico since she went there in 1944 to work at the Taller de Gráfica Popular. She lived in Mexico City.

Mariana was a member of the Workshop from 1945 to 1960 where she held several administrative positions. She was in charge of planning and designing their Art Exhibits from 1955 to 1957 and responsible for organizing the celebration of the Taller’s 20th Anniversary. In her late forties she turned to photography. She studied under Lola Alvarez Bravo.

In 1958, with Leopoldo Mendez and others she founded the Editorial for the Mexican Arts (Plastica). In 1966 she founded the Center for Foreign Languages at the IPN, (Instituto Politectnico Nacional). She designed and illustrated elementary public schools books. She participated as a photographer at the Olympic Games in Mexico, City.







Filed under: Mariana Yampolsky — Tags: , , — webmaster @ 10:22 am

Sarah Jimenez

Desfibrador de AlgodonMedia: Linoleum Cuts
Themes: Mexicanidad

Sarah Jimenez was born February 3, 1928 in Piedras Negras, Coahuila. She lived in Mexico City. She studied Art at the San Carlos Academy, in Mexico City.

She joined theTaller de Gráfica Popular in 1954. In 1961 she traveled to the USSR, accepting an Invitation from their Fine Arts association. She resigned from Taller de Gráfica Popular in 1967.

She is known for her mural at the Belizario Dominguez School .











Filed under: Sarah Jimenez — Tags: , , , — webmaster @ 10:18 am

Arturo García Bustos

La Carga contra el Pueblo by Arturo Garcia BustosMedia: Linoleum Cut
Themes: The Social and Political Awareness

Arturo García Bustos was born in Mexico City in 1926. His grandfather was the nineteenth century painter Hermenegildo Bustos.

In 1942, La Esmerelda School of Painting and Sculpture opened with Diego Rivera, Frida Kahlo and other well-known artists as faculty. In this setting Arturo García Bustos began his career.

When Frida’s failing health no longer allowed her to continue teaching at the school, she invited the students to her Blue House in Coyoacan to continue their classes. Arturo and three other students continued to study with Frida. This group came to be known as Los Fridos, because of their devotion to Frida.

Arturo has said that Frida was “amazing looking”. She not only “made art, she herself was a work of art.” He also admits, “We were all in love with Frida. She had a special grace and attraction. She was so ‘alegre’ that she made poetry around her.” Bustitos, as Frida called him, was with her every day during one of her most creative periods, 1943 to 1945.

Through Frida and Diego, Arturo would meet his future wife, Guatemalan painter Rina Lazo. Rina was the favorite assistant of Diego Rivera. Both Arturo and Rina speak affectionately of their association with the Maestro Rivera and La Maestra Frida.

After Frida’s death, Diego Rivera wrote: “Frida shaped students who today figure among the most valued men and women artists of Mexico. She always encouraged them to preserve and develop their personalities in their work and in the social and political clarification of their ideas.”

Arturo’s experience as a muralist began while assisting Diego Rivera. Since 1947, he has painted numerous murals at sites which include the Museum of Modern Art in Mexico City, the Salon de Oaxaca in the National Museum of Anthropology, the Museum of Modern Art in New York, and the Museum of Graphic Arts in Moscow. Arturo and Rina recently completed a mural in Italy.

Arturo is a Master Graphic Artist, having studied engraving in China and Korea. He was a student of lithography and engraving under Leopoldo Mendez, and completed additional studies at the Academy of Plastic Arts at the Universidad Nacional Autonoma de Mexico. A retrospective of his graphic work was held at the prestigious National Institute of Fine Arts in Mexico City.

His work has been exhibited individually and collectively, in museums and galleries throughout Mexico, the United States, Europe and Asia. Arturo has also been the recipient of numerous awards worldwide.

Arturo has been a founding member of many academies and workshops, where he encourages students not only to be artists, but to be artistic. His talent, kindness and generosity will long be remembered by the next generation of Mexican artists.

His vision is simple and hopeful. It speaks to the common people of values and struggles he inspires and encourages.

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